Embodied understandind in the Cognitive Investigation of Semantics
DOI:
https://doi.org/10.31494/2412-933Х-2018-1-6-180-188Keywords:
the poetic picture of the world, tropes, conceptual tropes, concept, emergent cognitive structures, embodied understanding.Abstract
The article is dedicated to the embodiment of reality in the poetic picture of the world of the British poetry of the XIX-XXIth centuries by means of the linguistic and poetic analysis of tropes as the way to actualize cognitive processes of the formation of the picture of the world. By means of linguistic, poetic and cognitive analysis the cognitive style of poets of the British romantic, modern and post-modern periods is investigated. From the position of cognitive linguistics and cognitive poetics poetry in the article as the embodiment in the poetical work of the result of cognition of a poet and his interpretation of reality from the position of his physical, social and cultural experience is analyzed. In cognitive poetics the viewpoint of the researches of poetry on the metaphorical human`s cognition and the possibility to conceptualize reality by a human on the basis of corporal experience is accentuated. In the reconstruction of the poetical model of the world of the British poetical texts of the ХІХ – ХХІth centuries is accentuated on the notion of poetry and poetic texts, on the reflection of reality in poetry, on esthetic aspect of poetry and on linguistic and communicative peculiarities of poetry. The article is actual as the generalization of linguistic, poetic and cognitive paradigms aimed on the construction of the model of the world of different cultural and historic periods. The aim and the results of investigation are determined by the specification of the poetical viewpoint embodied in the British poetry of romantic, modern and post-modern periods.
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